Saturday, June 6, 2026

I Don't Mean Dallas

So this is going to probably get kind of weird. I'm trying to get my old last.fm account set up to track what I listen to on my iPods. Some random Reddit thread pointed me to a program that will get my iPods talking to the site via my PC. With that in mind, I'm going to try to convert that into a fairly straightforward, weekly blog post in which a ChatGPT bot basically judges me for my listening habits for the week.

Fun, eh?

I decided to run the testing tracks through ChatGPT just to see what the output looked like. I got two options. 

Here is the "standard blog post" version:

My iPod Listening History This Week: A Completely Normal Person's Musical Choices

There are two kinds of people in the world: people who carefully curate playlists to match a mood, and people who let their iPod ricochet between Pink Floyd, Billy Ray Cyrus, Led Zeppelin, and Mark Chesnutt like a caffeinated squirrel with access to a jukebox.

Based on this week's listening history, I am very clearly the second person.

Over the course of 32 recorded listens, my musical tastes demonstrated all the consistency of a weather forecast in Indiana. Somehow I managed to bounce between classic rock, hard rock, progressive rock, country, metal, and whatever category "Kick Out the Jams" falls into when it suddenly appears in the middle of everything else.

The good news is that I'm never bored.

The bad news is that neither is my iPod.

The Top Artists of the Week

The crown for most-played artist wasn't exactly a runaway victory. Instead, several artists finished tied at the top with two plays each, creating what can only be described as a musical traffic jam.

Boston

Boston managed two appearances with "More Than a Feeling" and a live version of "Rock And Roll Band." This suggests that at some point I decided that hearing one of the most recognizable guitar sounds in rock history wasn't enough and immediately followed it with more Boston.

Honestly, that's hard to argue with.

Led Zeppelin

Led Zeppelin also landed two spins with "Bring It on Home" and "In My Time of Dying." Apparently I spent part of the week reminding myself that subtlety is overrated and that songs should occasionally be longer than some television episodes.

David Gilmour

David Gilmour's solo work showed up twice, including "A Boat Lies Waiting" and a live version of "Wish You Were Here." This is the musical equivalent of taking a brief emotional journey before immediately returning to giant guitar riffs elsewhere in the playlist.

Pink Floyd

Pink Floyd also earned two plays with "Sorrow" and "Bring the Boys Back Home." The combination suggests I was either contemplating the human condition or simply enjoying one of the greatest catalogs ever assembled. Possibly both.

The Warning

The newest band among the week's leaders was The Warning, whose live recordings of "MONEY" and "Dull Knives (Cut Better)" proved that my listening habits aren't entirely trapped in a classic-rock museum.

Only mostly.

Mark Chesnutt

Perhaps the biggest surprise was Mark Chesnutt's "Goin' Through The Big D," which was the only song to receive two plays during the week. Apparently I heard it once and thought, "You know what? Let's run that back."

I respect that level of commitment.

The Songs That Defined the Week

While most tracks received a single play, a few stood out as representative of the week's overall vibe.

The playlist opened with a classic-rock parade that included REO Speedwagon's "Keep on Loving You," the Eagles' "Take It Easy," Led Zeppelin's "Bring It on Home," and The Who's live version of "Won't Get Fooled Again."

In other words, the week started with a soundtrack that could comfortably fuel a road trip, a backyard cookout, or a conversation beginning with, "They just don't make music like they used to."

Then things became delightfully unpredictable.

Billy Ray Cyrus appeared with "Achy Breaky Heart." Metallica showed up with a live symphonic version of "Nothing Else Matters." Paul Brandt rolled through with "Convoy." The Presidents of the United States of America crashed the party with "Kick Out the Jams."

At this point, my listening history stopped looking like a playlist and started looking like a radio station being operated by multiple personalities.

Genre Breakdown: Controlled Chaos

The dominant genre this week was unquestionably classic rock. Boston, Foreigner, REO Speedwagon, The Who, Van Halen, Bon Jovi, Def Leppard, and the Eagles formed the backbone of the listening session.

Progressive and psychedelic rock also made a strong showing thanks to Pink Floyd, David Gilmour, Rush, and Nick Mason's Saucerful of Secrets. This suggests that while I enjoy straightforward rock songs, I also occasionally want a track that requires a map, a compass, and a willingness to disappear into a twelve-minute instrumental section.

Country music maintained a healthy presence through Dierks Bentley, Mark Chesnutt, Billy Ray Cyrus, Lyle Lovett, and Paul Brandt. These tracks served as a reminder that sometimes the perfect follow-up to Pink Floyd is a song about trucks, heartbreak, or both.

Meanwhile, Metallica and The Warning brought some heavier energy to the mix, ensuring that the guitars remained loud enough to prevent anyone from accusing this playlist of being relaxing.

Final Thoughts

If this week's listening history proves anything, it's that my musical taste refuses to stay in one lane.

One minute I'm listening to thoughtful David Gilmour ballads. The next minute I'm blasting Led Zeppelin. A few songs later I'm singing along to Mark Chesnutt and Billy Ray Cyrus without the slightest concern for genre consistency.

And honestly, that's probably the best part.

The playlist may not make sense on paper, but it never gets boring. My iPod continues to function as both a music player and a personality test, and based on this week's results, the diagnosis appears to be: enthusiastic classic-rock addict with occasional country detours and absolutely no interest in staying on theme.

I can live with that.

Here is the "Spotify Wrapped-style" version:

 My iPod Wrapped: The Week My Musical Identity Crisis Went Public

Every year Spotify releases Wrapped and people discover they listened to one artist for 47,000 minutes while convincing themselves they have "eclectic taste."

This week, my iPod generated a much more honest report.

And the results suggest that I don't have a favorite genre so much as a favorite activity: aggressively changing genres every few songs.

By the Numbers

Total Plays: 32

Unique Artists: 30

Most-Played Artists: 6 artists tied with 2 plays each

Most-Played Song: "Goin' Through the Big D" by Mark Chesnutt (2 plays)

Percentage of Songs Played Only Once: 96.9%

Commitment Level: About the same as a toddler walking through an ice cream shop.

Most people have comfort artists. Apparently I have comfort chaos.

Nearly every song this week was a unique selection. Instead of settling into familiar territory, I spent the week wandering through decades of music like someone who accidentally gained access to every radio station in North America.

Your Top Artists

#1 (Tie) Boston

2 plays | 6.25% of weekly listening

Boston earned top billing thanks to "More Than a Feeling" and a live version of "Rock And Roll Band."

Apparently one of the defining themes of my week was hearing one legendary guitar tone and immediately deciding I needed another.

#1 (Tie) Led Zeppelin

2 plays | 6.25% of weekly listening

With "Bring It on Home" and "In My Time of Dying," Led Zeppelin reminded me that songs don't need to be concise when they can simply become a way of life.

#1 (Tie) Pink Floyd

2 plays | 6.25% of weekly listening

Pink Floyd contributed both "Sorrow" and "Bring the Boys Back Home."

This suggests that somewhere between all the classic rock and country music, I found time to contemplate humanity, war, existence, and whether my speakers could handle one more David Gilmour guitar solo.

#1 (Tie) David Gilmour

2 plays | 6.25% of weekly listening

Speaking of Gilmour...

A solo David Gilmour track and a live version of "Wish You Were Here" made the cut, proving that I apparently need Pink Floyd-related content in multiple formats.

#1 (Tie) The Warning

2 plays | 6.25% of weekly listening

One of the newest acts in the week's lineup, The Warning brought some modern energy to a playlist otherwise populated by people whose peak album sales happened before the internet existed.

#1 (Tie) Mark Chesnutt

2 plays | 6.25% of weekly listening

The only artist whose song was repeated.

When "Goin' Through the Big D" came on, I apparently decided that one trip through the Big D wasn't enough.

Top Songs of the Week

#1 Goin' Through the Big D — Mark Chesnutt

2 plays

The undisputed champion.

Every other song got one spin. This one got two.

That's a 100% increase in commitment compared to literally everything else I listened to.

Honorable Mentions

Since almost every song tied for second place, let's celebrate the sheer randomness of the contenders:

  • More Than a Feeling — Boston

  • Bring It on Home — Led Zeppelin

  • Wish You Were Here (Live) — David Gilmour

  • Nothing Else Matters (S&M) — Metallica

  • Achy Breaky Heart — Billy Ray Cyrus

  • Convoy — Paul Brandt

  • Kick Out the Jams — The Presidents of the United States of America

No algorithm on Earth could successfully predict that sequence.

Genre Report Card

Classic Rock: 55%

Classic rock dominated the week.

Boston, Foreigner, REO Speedwagon, Eagles, The Who, Van Halen, Bon Jovi, Def Leppard, and Led Zeppelin formed the backbone of the playlist.

My iPod spent most of the week pretending it was parked in the lot outside a 1978 arena concert.

Progressive Rock & Floyd-Adjacent Content: 15%

Pink Floyd, David Gilmour, Rush, and Nick Mason's Saucerful of Secrets accounted for a significant portion of listening time.

This category can be summarized as:

"Would you like a normal song?"

"No, I'd like a musical journey."

Country: 20%

Mark Chesnutt, Dierks Bentley, Billy Ray Cyrus, Lyle Lovett, and Paul Brandt made surprisingly strong appearances.

At any given moment this week I was only one song away from either a guitar solo or a pickup truck.

Sometimes both.

Hard Rock & Metal: 10%

Metallica and The Warning delivered enough volume to ensure the playlist never became too thoughtful.

Whenever things started getting reflective, somebody plugged in another amplifier.

Most Unexpected Musical Jump

One of the best things about tracking listening history is discovering transitions that would horrify professional DJs.

This week's playlist casually moved between artists like:

Pink Floyd → Billy Ray Cyrus

Metallica → Country Music

David Gilmour → Convoy

These are not genre shifts.

These are acts of transportation.

What This Says About Me

Spotify would probably describe me as:

"An adventurous listener with diverse musical interests."

My iPod, having witnessed the evidence firsthand, would probably describe me as:

"A person who cannot make up their mind."

And honestly, that's fair.

This week wasn't about discovering a favorite artist or obsessively replaying a single album. It was about bouncing between decades, genres, and moods with complete disregard for consistency.

One minute I wanted thoughtful progressive rock.

The next minute I wanted stadium rock.

Then country.

Then metal.

Then somehow Billy Ray Cyrus.

In short, my listening habits remain exactly what they've always been: wildly inconsistent, occasionally questionable, and endlessly entertaining.

And frankly, I wouldn't have it any other way.

I like both options, but I think I'm going to go with the Spotify-esque job on a weekly basis. 

I'm going to snag the info weekly, and try to have my week's posts up for a Monday. 

Friday, May 22, 2026

Treachery And Treason, There's Always An Excuse For It

The Mystery of the Moaning Cave

Review: The Mystery of the Moaning Cave 

The Mystery of the Moaning Cave by William Arden
My rating: 4 of 5 stars

This one was one of my favorite Three Investigators books when I was younger. According to the Nook, the copy I have is only 99 pages, so it should go pretty quickly.

I'm going to read this one all the way through on the Teal Nook GlowLight 4. Which, honestly, I kind of hate so far. The device, not the book. I'll write about that elsewhere.

As for the story, it is enjoyable and pretty fast paced. If you pay attention to the details, it's pretty easy to figure out who the villain of the piece is pretty early on, but for a kid-aimed mystery, I enjoyed it again...Thirty years later.

I'm pretty sure I read this one in one sitting when I was about ten, and I read it again in ~2 hours this evening.

View all my reviews

Thursday, May 21, 2026

And I'll Throw The Book At You

I started reading a Three Investigators book, The Mystery of the Moaning Cave this evening for the first time since something like '93. I read it in one day, while I was home sick from school and I remember really enjoying the book. I'm pretty sure we had two copies, and the cover had come off of one, so the sheaf of pages was just flapping around freely.

I miss those books.

Anyway, I decided today to read it on the Nook GlowLight 4 that I picked up recently.  Yeah, I'm not a huge fan of it. 32GB of storage? Sure, but you can only use  5GB for side-loaded content. Which is about all I use these things for. The rest of it is kind of stupid. I don't like that the cover doesn't display on the screen when it's sleeping.

Also, literally every time I've gone to use it...It's been dead. I haven't picked up my Kindle since something like February, but I can probably go turn it on now and it's just fine to use. This thing? Nopers. I fully charged it today, and I'm going to try to use it until the battery dies. Just to see. Probably a few days. 

Tuesday, May 19, 2026

I Can Feel It Coming In The Air Tonight

A Parade of Horribles

 Review: A Parade of Horribles

A Parade of Horribles by Matt Dinniman
My rating: 5 of 5 stars

I figured that topping Faction Wars wouldn't be easy. I feel like each book in this series so far very much overshadows the previous book, and this one is no different. The racing was handled...Very chaotically. Anything else would have probably been the wrong way to go, and it was definitely the way to go. I love how this time around almost all of the NPCs got to shine. Not just for a page or two here or a page or two there, nope. When it was their turn, they took it.

The audiobook version of Chapter 57? Needs to be a standalone download for all to experience. No doubt about that.

The AI near the end? Perfection.

The ending? I must say...I didn't see that ending coming. But could anyone have predicted that?

View all my reviews

Tuesday, May 12, 2026

I'll Wait For You

Surviving is winning. Everything else is bullshit. - The Sledge

Monday, May 11, 2026

I Saw A Werewolf With A Chinese Menu In His Hand

A Parade Of Horribles is being released tomorrow. I wonder how early/late it will be available.

I haven't been this interested in a book release since Wolves of the Calla back in...What? 2003? Bought that on release day and read it from cover to cover in one day. 

Sunday, May 10, 2026

Turn On, I See Red

MOG. I have a 4th generation iPod photo that just got a new battery. It went from around 20 minutes of "un-tethered" play time to...Let me check...14 hours, 9 minutes. Yeah, I'm calling that a win. 

Saturday, May 9, 2026

What Is The Half-Life Of A Color TV?

Tiny Lens, Big Chaos: Using the 7Artisans 18mm f/6.3 on a Sony A6000

There are camera lenses designed by engineers in spotless laboratories with charts, graphs, and promises of “edge-to-edge sharpness.”

Then there is the 7Artisans 18mm f/6.3.

A lens that looks like someone accidentally glued a body cap to the front of a Sony A6000 and said, “Yeah, this should work.”

And somehow… it absolutely does.

The first thing you notice after mounting this microscopic pancake lens is how ridiculous the camera suddenly looks. The Sony A6000 transforms from “serious enthusiast camera” into “mysterious thrift store object from 1978.”

I love it immediately.

The Joy of Photographing Like It’s 1956

This lens has no autofocus. No image stabilization. No electronic contacts. No communication with the camera whatsoever. The camera basically reacts to this lens the same way a cat reacts to a cucumber.

To even take photos, you have to enable “Release shutter without lens” because the Sony assumes you forgot to attach one.

And honestly? Fair enough.

Using the 7Artisans feels less like photography and more like participating in a historical reenactment. Every shot becomes an adventure in approximation and optimism.

Direct Sunlight: The True Final Boss

Now let’s talk about the Sony A6000 screen and electronic viewfinder in direct sunlight.

Or rather, let’s talk about how both become completely useless the second the sun comes out.

Trying to compose shots outside feels like staring directly into a microwave door while guessing where your subject might be. The rear screen washes out instantly, and the EVF somehow manages to alternate between “barely visible” and “tiny glowing postage stamp.”

The attached flower photos are a perfect example of this experience.

In the first shot, I was approximately 83% sure the flowers were actually in frame.

In the second shot, I moved closer mostly because I gave up pretending I could see anything at all.



 

And yet somehow, despite shooting half-blind in full sunlight, the images came out with this dreamy, hazy, weirdly charming look that makes me forgive the entire experience. The soft edges, the glow, the slightly unpredictable rendering — it all feels less like modern digital photography and more like finding undeveloped film in an attic.

A Lens With Personality Disorders

Technically speaking, this lens is not good.

And I mean that affectionately.

Sharpness? Sometimes.
Contrast? Optional.
Flare resistance? Absolutely not.
Consistency? That’s adorable.

But the thing is, modern lenses are often so clinically perfect that they become boring. The 7Artisans 18mm feels alive. Every image has a little bit of chaos baked into it.

The flower shots especially show what this lens does best: bright colors, soft rendering, and a slightly vintage glow that makes everything feel nostalgic for absolutely no reason.

The Part That Both Amuses and Irritates Me

What really pushes this setup into full “mad scientist photography project” territory is the fact that I’m now realizing I probably need to carry a light meter.

A real one.

Because apparently I’ve decided that using this lens and my old Exakta lenses should involve as much unnecessary effort as possible.

There is something deeply funny about attaching vintage manual lenses to a digital mirrorless camera that contains more computing power than NASA had during the moon landing… only to stand in a field squinting at a handheld light meter like a newspaper photographer from 1963.

Am I annoyed by this? Absolutely.

Am I also weirdly entertained by it? Unfortunately, yes.

At this point, photography has become less about convenience and more about seeing how much nonsense I’m willing to tolerate in exchange for “character.”

Final Thoughts

The 7Artisans 18mm f/6.3 is objectively impractical in many ways.

But it is also one of the most entertaining lenses I’ve used in a long time.

It turns the Sony A6000 into a tiny experimental art machine. Every photo feels slightly accidental. Every outing feels unpredictable. And every successful image feels earned through a combination of stubbornness, luck, and sunlight-induced blindness.

Would I recommend it to everyone?

Absolutely not.

Would I keep using it anyway while muttering sarcastic complaints under my breath?

Without question.


Friday, May 8, 2026

You Might As Well Be Walking On The Sun

It annoys me that the best lenses for my Sony Mirrorless camera are manual lenses. Not that the lenses themselves are annoying, they are fun. It's the fact that the viewfinder is a video, rather than through the lens.

I'm literally going to have to rely on a light meter because the viewfinder and screen are so hard to use in the sun:










 

Wednesday, May 6, 2026

Man, As If I Couldn't Tell

Texas.

chicago. ohare. that plane. grr. the airport. el paso airport is kind of hideous. the malibu. el paso proper. two white people in a white chevy malibu,just smile and wave through a border patrol station. first night hotel.food. driving. carlsbad cavern. the bird.signage. the cave.driving. more driving. pecos. rest of the week hotel.  the sky is everywhere. like literally everywhere. salt flats. decaying building.endless sky. balmoreah. the lake. the turtle. the minnows. the turtle vs the minnows re:bacon. the state park. the sleeping. driving. pecos. the spark plug bandolier. the desert. the observatory. the driving. the absolutely endless sky. the heat. "you'll get sun poisoning, no i won't." i didn't get sun poisoning. the grasshopper. eating. laundry. bob the builder. sleeping. sonic. many pictures. the camera being broken. marfa. the ice plant. the railroad pens. no marfa lights. sleeping. the walking stick. the driving. the continuing to be endless sky. the mountain. the driving. the return flight.